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Thelonious Monk - "Blue Monk"

Thelonious Monk - Piano , Charlie Rouse - tenor sax, Larry Gales - bass; Ben Riley - Drums

Thelonious Monk is one of the most important pianists in jazz and music in general. His playing, his style influenced by bebop and all that he created himself and now a basic treasure every good jazz pianist heard all that jazz music had a crucial impact.

Monk bereicherte die Welt jedoch nicht nur mit seinem unvergleichbarem Spielen und seinen Aufnahmen, auch die vielen Kompositionen von ihm, wie zum Beispiel "Round Midnight", "Ruby, My Dear" oder "Well, You Needn’t", hinterließen Spuren in der Jazzmusik. Zu diesen Stücken, die heute allesamt oft gespielte Jazzstandards sind, gehört auch die Kompositionen "Blue Monk", die in diesem Video zu hören ist.

Die Band, bestehend aus Monk selbst am Klavier, Charlie Rouse am Tenorsaxophon, Larry Gales am Bass und Ben Riley am Schlagzeug, die diese Komposition am 15. April, 1966 in Oslo auf einer Europatournee spielte, gehörte zu einer von Monks wichtigsten und besten Bands in seiner Karriere und die entstandene Aufnahme ist ein wahrer Mastertake.

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The Heath Brothers - Story Of A Jazz Family

Es gab selten eine Familie in der Jazzmusik, die einen so großen Einfluss auf die Musik und auf den Jazz nahm wie die Heath Brothers – Bassist Percy Heath , Tenorsaxophonist Jimmy Heath und Schlagzeuger Albert “Tootie” Heath . In den drei Heathbrüdern steckt nicht nur die Jazzgeschichte drin, sie sind Jazzgeschichte. Zusammen mit den drei Jones Brothers, bestehend aus Pianist Hank Jones, Trompeter Thad Jones und Schlagzeuger Elvin Jones, haben es Percy, Jimmy und Albert als einzige Familie geschafft über ein Half a century by the most successful family of jazz music to be, and often appeared to be another. It is the story of a family full of jazz and music history.


But if the Heath Brothers were actually, as were their respective paths through the history of jazz, why they were so important in music and why they were individually and collectively so successful?

The following three articles deal with this question in three different profiles of musicians will be shown who they were, the three brothers, of which there are sadly only two remain, because the bassist Percy Heath died in 2005 of complications from cancer.

Click here for the three articles:

• Percy Heath (bass)
• Jimmy Heath (tenor and soprano saxophone)
• Albert "Tootie" Heath (drums)

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Percy Heath - "Big P"

Percy Heath, the oldest of the three Heath Brothers, 30 April 1923 in Wilmington, North Carolina born, but spent his childhood in Philadelphia, Pennsylvania, where later his two younger brothers, Jimmy Heath and Albert "Tootie" Heath zur Welt kommen würden. Schon früh kommt der älteste Sohn der Familie mit der Musik in Berührung, sein Vater spielt Klarinette und seine Mutter singt im Kirchenchor und so liegt es nicht fern, dass auch Percy bald musikalisch einbezogen wird. Im Alter von 8 Jahren fängt er an Geige zu spielen, wobei er wie seine Mutter auch noch singt.

Im Jahre 1944, also zur Zeit des grausamen Zweiten Weltkriegs in Europa und Asien, wird Percy dann im Alter von 21 Jahren in die U.S. Army befördert. In der Air Force ist er in der Tuskegee Airmen stationiert. Doch als der Krieg ein Jahr darauf endlich vorbei ist, verlässt Percy die Army schon wieder und fängt nun an, das Instrument zu erlerne, was ihn später berühmt machen sollte - The double bass. Fascinated by jazz players like Jimmy Blanton (the famous bass player in Duke Ellington's band), Oscar Pettiford and Ray Brown, he throws himself from the 1946 into the Philadelphia Granoff School of Music fully into the new instrument and is soon a hot tip on the bass in throughout the jazz scene in and around Philadelphia.

His first arrangement he plays it with the pianist Red Garland, later, by his involvement with the first legendary Miles Davis quintet of the fifties famous. A little later he will be the house bassist of the legendary Downbeat Club in Philadelphia.

His final breakthrough creates Percy then end of the Forties, as it him and his younger brother Jimmy in New York City - the world capital of jazz - attracts. The move of the trumpeter Howard McGhee, who offers both a place in his band, which does not reject them. The tour brings him together with McGhee in the following year also the first time to Europe, where they play at the Festival International de Jazz.

Back in New York in 1949, Percy has gone permanently to the greats of jazz. He plays with musicians such as Clifford Brown, Miles Davis, Thelonious Monk , Charlie Parker, Sonny Rollins and Horace Silver. The bebop trumpeter Dizzy Gillespie caught up with him in 1952 - this time with his younger brother Jimmy - in his Big Band, where he spent two years remains.

characterizes his career but especially the year 1951, when he becomes part of the Milt Jackson Quartet, with pianist John Lewis and drummer Kenny Clarke. The roots of this formation are already in Gillespie's band, Jackson, Lewis and Clarke were members. Percy Heath replaced first only the bassist Ray Brown, who left the band shortly before, then also an integral part of the group. A year later, the group names in the Modern Jazz Quartet (MJQ too short) to and is one of the most famous bands in the small combo jazz. In 1955, then forms the final formation of the Quartet, which is then also exist for many years: drummer Kenny Clarke is the drummer Connie Kay.

But it is not that Percy had arrived where he was one of the greatest bassists in jazz, he found himself on the way there. When Titan Bass Charles Mingus in the fifties, he learns a lot about the intonation on the bass, which is definitely also a breakthrough in helping the Modern Jazz Quartet. It followed 43 years, in which the Modern Jazz Quartet is active and presented to the American jazz on many international tours in the world.

In 1974, financial problems, however, ask the band to break up temporarily and take a rest. The pause vom MJQ nutzt Percy Heath jedoch, um endlich einmal eine Gruppe zusammen mit seinen beiden Brüdern Jimmy und Albert zu formatieren. Aus dieser Idee entsteht die Gruppe „The Heath Brothers“, die während des Zeitraums von 1975 bis 1982 regelmäßig zusammen auf der Bühne steht und Platten produziert. Für Percy Heath öffnet diese Zeit auch völlig andere Welten. Zur Gruppe steuert er sehr viele eigene Komposition wie zum Beispiel „The Watergate Blues“, „Rejoice“, „Move To The Groove“, „Islandized“ oder „Dave’s Haze“ bei und greift auch immer häufiger zum Cello.

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When the Heath Brothers then starts the Modern Jazz Quartet - in the old formation, and new freshness - in 1983 again fully through and Percy Heath celebrates with Milt Jackson, John Lewis and Connie Kay on a Japan tour one of the largest success in all that time in the history of the band.

In 1994, then the drummer Connie Kay breaks off the first part of the legendary MJQ, on drums to replace him temporarily then Percy's brother Albert "Tootie", but as of 1999, the vibraphonist Milt Jackson dies, the magic of the legendary group's final of the past disappeared. Two years later, in 2001, then dies and the pianist John Lewis.

Even Percy Heath, now 78 years old already attracts more and more from the big music business and now spends much time in his native Long Iceland in New York. There are, though every now and then appeared in the New York jazz scene, especially with his younger brothers.

In 2004, then again following a unique highlight in his career. At the small jazz label, Jazz Daddy takes Percy Heath his very first album as a leader on - "A Love Song". Even if it is the only disk should remain as leader, to more than 300 different plates Heath is still with the Modern Jazz Quartet or simply to find just as a sideman and it here mostly in top form and an exuberant presence on the bass on.

On 28 April 2005 Percy Heath died in his home city of New York City of complications from bone cancer. With the death of the eldest member of the Heath family breaks away even the last part of the Modern Jazz Quartet and one of the most talented and versatile bass players in jazz history leaves the Jazz. But his spirit still lives in his recordings, the music of his two surviving brothers and in the thoughts of many who loved his music and were kind of playing.


More about the Heath Brothers: Here

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Jimmy Heath - The Saxophon Professor

Jimmy Heath , younger brother of Percy Heath and older brother of Albert "Tootie" Heath comes on 25 October 1926 in Philadelphia, Pennsylvania to the world and is therefore 3 years younger than his brother Percy. Growing up, he does like his older brother Percy already in Philadelphia and get not only something of the vibrant jazz scene in Philly something, but also the first musical steps of his brother, who begins in this time to play the violin.

About Jimmy's childhood, however, is not so much known about how his big brother, of the career of both looking at a higher level of fame enjoyed by most of his involvement in the Modern Jazz Quartet. What is clear however is clear is that Jimmy Heath at the beginning was not a tenor sax player really, but he, like his role model Charlie Parker played the alto saxophone. Thus he was often "Little Bird" because his style of play already really very close to the Parkers arrived and was marked by the same approach to virtuosity.

to play in the first big band in Philadelphia, where he starts from 1947, are even a few jazz musicians who later are among the largest in the history of this music. They include names such as the tenor saxophonist John Coltrane (at that time, however, also a saxophonist), Benny Golson and Nelson Boyd. Even Charlie Parker himself, and drummer Max Roach often appear in the local scene in Philadelphia.

Together with his brother Percy, who has since been changed to bass, he was drawn in 1947, then dazzling in the jazz city of New York City, where they were the trumpeter Howard McGhee, a place in his band anbietet.Die working with the talented trumpeter Percy does not only open but also Jimmy Heath, the doors to the jazz world and to many exciting deals with many jazz greats. Said Jimmy has been playing two years later with Dizzy Gillespie's big band and played in 1948 at the age of 21 years in Europe in the first International Festival in Paris (again with his brother Percy Heath).

the early fifties, is then an important change for Jimmy Heath. Like other alto saxophonist, (eg John Coltrane ) Jimmy moves to the tenor saxophone, the instrument that has become by the presence of Coleman Hawkins to the instrument in jazz. The switch to other saxophone, however, may also have had many other reasons. call for all-clear would be Charlie Parker - the Master of the alto saxophone. As good as he never was surpassed on his instrument, and even in the largest Drug and alcohol intoxication was "Bird" can not be beat and so did many alto saxophonist in the fight against the living legend already ascended to a simple musical personality. Often the change had also something to do with the fact that one job in the big bands and groups got the alto saxophone at the time was still far more common than the tenor saxophone and it was in most bands have often an alto saxophonist.

But for Jimmy Heath followed in the fifties some personal problems. To his drug addiction that drew him like many other musicians in the pit, Heath lost much ground, lived only from the needle and from shot to shot. So he missed in that time, partly important arrangements with Miles Davis, who wanted to have in his quintet, but Jimmy could not accept because he was not allowed to leave Philadelphia because it was known to the police that he was a junkie and he therefore could not leave this room.

Back in 1959 - clean this time, for he had made the withdrawal of the drug - he takes the contact to the jazz world again (in between he once played not for a while and wrote for other musicians as the trumpeter Chet Baker or drummer Art Blakey ). The following is first a einjahrlange work with trumpeter Miles Davis, saxophonist John Coltrane where Heath heir, who had left the band shortly before. Das erste mal in seiner Karriere bekommt er viel mit Modern Jazz zu tun bekommt. Davis’ Aufnahme „Kind Of Blue“ ist noch frisch in den Köpfen der Leuten und der Wegweiser in eine neue Epoche des Jazz und auch wenn sich Jimmy am Anfang etwas schwer tut, so lernt er mit der Zeit auf die spärlich wenigen Akkorde zu improvisieren und lernt bei Davis viel dazu.

Auch mit Trompeter Kenny Dorham und dem Pianisten Bill Evans spielt Heath nun erfolgreich zusammen und in dieser Zeit fängt auch seine Zeit beim Plattenlabel Riverside an, für das er viele erfolgreiche Jazzplatten produziert und einspielt. In den Sechzigern steht er auch viel with vibraphonist Milt Jackson, best known from the Modern Jazz Quartet, his brother Percy, and trumpeter Art Farmer on stage.

Even then, turns out that Jimmy Heath has a great talent for composing and arranging. More than 125 compositions he has written to date, including many important jazz standards such as "CTA", "Without You - No Me," a reference to his close ties to Dizzy Gillespie, "Trane Connections", in homage to John Coltrane or "Ginger Bread Boy", a piece that Heath has dedicated his son Mtume. Even his older brother Percy Heath immortalized Jimmy Heath in einer seiner Kompositionen, sie trägt den Namen „Big P“.

Mit seinen beiden Brüdern Percy und Albert „Tootie“ formatiert Jimmy dann im Jahre 1975 die Jazzgruppe „The Heath Brothers“ , in der er der führende Kopf der Gruppe ist, da er durch sein großes Talent des Arrangierens und Komponierens zusammen mit seinem älteren Bruder Percy ein perfektes Team bildet, dass durch den Drummer Albert „Tootie“, der bei vielen anderen Jazzgrößen einiges gelernt hatte und schon längst zum Olymp der Jazzmusiker aufgestiegen war, perfekt vervollständigt wurde. So folgten 7 Jahre, in denen Jimmy vor allem mit seinen beiden Brüdern auf der Bühne and in the recording studio was.

In 2003 Heath was then with the American Jazz Masters Fellowship award for lifetime achievement, an honor he shares with others, Ella Fitzgerald, Count Basie and Dave Brubeck.

Even today, the now 80-year-old Jimmy Heath lives in New York City and remains active as an arranger and composer, as well as a musician. Many young musicians Jimmy Heath has passed his knowledge to date and he is not afraid today to face new challenges. After the death of his brother Percy Heath in 2005, now the most important musical representative of the family and the Heath Brothers. Heath is also the representative of bebop saxophone and since it is increasingly rare today, biologically, to be playing with a musician from the founding generation of bebop Jimmy Heath is still a very popular jazz musician.


More about the Heath Brothers: Here

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Albert "Tootie" Heath - The Third Heath

Albert "Tootie" Heath , the youngest of the three Heath Brothers is 31 March 1935 in Philadelphia, Pennsylvania born and thus plays the youngest member of the family, often in the shadow of his older brother by 12 years Percy Heath be 9 years and older brother Jimmy Heath .

growth does Albert Heath as his two older brothers already in Philadelphia and while Percy and Jimmy left home soon to move to New York City and play the trumpeter Howard McGhee, is Albert until his 12. Age of almost daily with his two brothers together, and sees the two with their instrument, Percy at first the violin, and later on bass and Jimmy Heath, first on alto saxophone. The music fascinated him and he can hardly escape the very musical direction of the family. Even the parents of three sons, it used to make music, Funny People clarinet Albert's father, while his mother sang in the church choir. Alberts instrument over the years, then the drums, a development similar to another large family of jazz - the Jones Brother, consisting of the pianist Hank Jones, trumpeter Thad Jones, and drummer Elvin Jones.

The first important recordings makes Albert in 1957 when he and the tenor saxophonist John Coltrane is on stage with him and make shots.

Although Albert Heath is a great drummer and his career as a musician at a very often with many great jazz musicians such as Kenny Drew, Art Farmer, Benny Golson, Dexter Gordon, Herbie Hancock, JJ Johnson, Wes Montgomery, Bobby Timmons and Cedar has played together for Walton, he was never really out of the shadows of his two older brothers. The main reason is that Percy Heath with the Modern Jazz Quartet in part celebrated the greatest success that can only celebrate a jazz musician Jimmy Heath and proved to be a one-time exceptional talent as a composer and arranger. It's hard to face with such brothers into the spotlight, yet managed to "Tootie" often, as a friendly musician, who by his fellow musicians often as gifted and talented, but also as a purposeful Drummer was recognized.

Not to conceal is of course that Albert owes his two brothers a lot, because she paved the way for music, and served as a guide for him and partly as a model.

The fact that the three brothers are all but an irresistible trio seen in 1975, when Albert, along with Percy and Jimmy founded the group "The Heath Brothers" . As a drummer, he provides here for the critical pulse and drives the game with his masterful ideas ahead of his two brothers. In 1982 this group then separates and each of the musicians go their own ways, triggered mainly by the Percy Heath returns to the Modern Jazz Quartet, that the following year reformatted, go diving Albert his own path as a musician.

Even today, the now 71-year-old Albert "Tootie" Heath active as a musician in the New York jazz scene and is the leader and producer of "The Whole Drum Truth," a jazz percussion ensemble consisting of the great masters of percussion such as Ed Thigpen, Billy Hart, Louis Hayes or Ben Riley.


More about the Heath Brothers: Here

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Ben Webster & Jo Jones - Various Tunes

Ben Webster - tenor saxophone; Jo Jones - drums, (and Various Artists)

Ben Webster and Jo Jones are both musicians, the music on their instrument, and generally changed, Webster his saxophone, which was also through him to the instrument in jazz, and Jones on drums, starting with pianist and bandleader Count Basie, and even later recognized as one of the best drummers in jazz history.

This video both play together and both play much in the forefront of the whole band, which is especially for a drummer something special. The beginning of the solo by Webster is played first-class, perfectly underlined by the band and the subsequent Breaks (4 / 4) of Jones shows his skills as a world-class soloist - not necessarily only as a companion and driver of the group.

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Thelonious Monk - The Mythos Of Jazz

Thelonious Monk was one of the finest pianists in jazz history and one of the rare musicians who made it with their musical works to advance and enrich the music with their compositions. It is the myth of a man whose name has mysteriously been to one, but behind the humane and musically much more concealed than in the beginning is to be assumed.

Thelonious Sphere Monk was born on the 10th October 1917 in Rocky Mount, North Carolina in the United States of America the light of the world. Even his name is on the birth of an absolutely unique, and so it is already on the registry office to a confusion of his name in Thelius (sic) Monk, where it is clearly a hearing defect.

When little Monk six years old, the family pulls together with the father, mother and two sons and an older daughter to New York City to the impoverished black neighborhood of San Juan Hill, south-west of Harlem. Here lives the family from now on the West 63rd Street between 11th Avenue and West Side Drive, directly behind the present-day Lincoln Center. It is a region with a vibrant music scene and it is the place to live in the Thelonious also most of his life is. Monks mother will also find work quickly, so that the financial position of the family is secured, because the Father is leaving New York again soon and pulls back seeking recovery in the southern United States and never appeared again. The family is still in New York and lives are getting better and better everyday life in a major American cities a

grows here he early twenties and already gets early much of the music, especially jazz, which gradually according to America's most important music genre developed with. The key event Monks in youth is a friend of the family give a piano. His older sister, Marion shall from now on piano and Monk is so fascinated by this instrument that he always practicing her shoulders and looks after a certain time teaching himself to play the piano. Although he then briefly also at the school tried trumpet his love for music is always related to the piano and he will receive at the age of eleven years, the piano lessons from a piano teacher.

With fourteen years Thelonious then already so good that he on numerous occasions, for example in the neighborhood, playing piano and so a small financial contribution for the rent and provide the musical entertainment. Even in high school to Monk too busy with music, but also in other areas of particularly good, such as in math, physics or basketball. His interest in jazz is more pronounced and so too slow, an inkling of his future career significantly.

Every Wednesday visited Monk from now on an amateur competition at Harlem's Apollo Music Hall. But this contest as often as he wins in a row he will soon no longer allowed. He is already playing with a totally different league, which shows his latest early exit from the High School at the turn of 1933/34, to a singer and other musicians on an extensive tour to go, all at the age of 16. It is the first step to becoming a professional musician and Monk in this time when he is far away from home, and considerably more human and musical maturity. In the cities, in which makes the group containing, Thelonious still looking after the jazz scene, playing gigs at so often by his late-night jam sessions. Here he meets in cities like Kansas City for the first time on real jazz legends as the pianist Mary Lou Williams.

In 1936, he then returns to end the tour back to New York City to his mother with odd jobs, like playing in pubs and dance halls to support, financially. With other musicians such as drummer Kenny Clarke, Monk controls but a new way of interpretation of jazz, with new musical plans and new features that will express itself years later in the newly emerging bebop style of music.

With Bud Powell met Monk in 1937, then an equally young minded jazz pianist. The two build a friendship that will last long and up to Powell's premature death in the mid sixties and come through his drug addiction and the Monk one time or another in difficulties.

His biggest Erfolg verbucht Thelonious Monk dann im Jahre 1940, als er der Hauspianist im Jazzlokal Minton’s Playhouse, oben auf der West 118th Street in Harlem, wird. Der Club, gegründet vom älteren Musiker und einem der ersten Musikergewerkschaftsfunktionären Henry Minton, ist fortan der zentrale Anlaufspunkt für junge und experimentierfreudige Musiker in der New Yorker Jazzszene. Neben Monk spielt außerdem noch der Schlagzeuger Kenny Clarke und oft der Bassist Nick Fenton bei den nächtlichen Jam Sessions im Minton’s. Hier entstehen durch die unvergleichliche Zusammenarbeit von Musikern wie Charlie Parker, Dizzy Gillespie, sowie Thelonious Monk und Kenny Clarke selbst bald der Bebop, eine Musikrichtung, die sich durch einen hohen Anteil of improvisation and the emergence of the soloist characterized. Away from the big band swing in the new adventures of bebop Leave Monk and the other musicians here and breathe history of the jazz scene a new life.

But with the advent of bebop also splits the audience for jazz, not every jazz fan comes this new music in fascination and then split the opinions of Thelonious Monk, who is now enjoying increasing popularity. As one of the first jazz critic, however, recognizes Monks incomparable musical gift and size, and estimated, is Herbie Nichols, himself a pianist and now only dimly aware - are among his most important recordings of his recordings for The New Yorker Jazz label Blue Note Records. He appreciates his music and his musical thinking. But the mid-forties he is still one of the few that recognize this. In many encounters Monks music to confusion, it is now giving clear that he was already ahead of its time in 1945. Although

are especially Charlie Parker and Dizzy Gillespie in the spotlight of the Bebop is obviously cares little about Thelonious Monk. In 1946, he then gets a job in the big band by Gillespie, but this offer ends soon again, as Monk was again out of principle to one of the performances.



At the beginning of the year 1947 Monk's career starts to really get going. Musicians like Gillespie and Parker have been all the forties - with the exception of the period of the union strikes of the music industry - included plates and perpetuates their music. Monk himself, however, was only available as a sideman with other musicians - especially for Gillespie himself - moved into the eye of the jazz world. But now, to the end of his thirty years of the age, Monk seems to get his chance. The founder of the jazz label Blue Note Records, Alfred Lion investigated, Thelonious Monk for his exemplary character, founded in 1939 and Blue Note labels from Monks appear first two albums as a leader - "Genius Of Modern Music, Vol 1 + Vol 2 ". The two panels are for Blue Note but only a moderate success, but are the cornerstone of a foundation, the only Monk is still trying to build. The music of the plates is undeniably fabulous and then also add that Blue Note was on the old disk formats, while all the major record companies have used the new medium, and thus the income only slightly precipitated.

happened in that time, it also means that Thelonious asks for the hand of the woman from the neighborhood named Nellie, a girl, that even on his days in the sandbox back and with which he always shared a deep and mutual love. Self-sacrificing provides Nellie from now on ihren Ehemann, sorgt für die Ordnung in seinem Zimmer, wäscht sein Geschirr ab oder steckt im die Zigarren an. Obwohl Monk sich mehr an die Musik als an sie bindet, ist es wohl Nellies rücksichtslose Bereitschaft, für Monk zu sorgen und da zu sein, der ihre Ehe für so lange Jahre am Leben lässt.

Das Jahr 1949 bringt dann jedoch einen Tiefpunkt in Monks Karriere mit sich. Nachdem er im Jahre 1948 für seine Arbeit vom Downbeat-Magazin bei einer Leserumfrage in der Sparte für Klavier wenigstens 23 Stimmen bekommen hatte folgte im Jahr darauf keine einzige. Monk lässt sich seine Verbitterung zwar nicht anmerken, aber igelt sich von da an zu Hause ein, starrt Stunden lang auf eine Stelle, spielt den halben Tag durch Klavier and hears plates. Nellie tries to stay away from him any inconvenience.

In 1950, following again the preliminary rise, Monk's son, Thelonious Junior Monk (also known as TJ Monk) comes into the world and Norman Granz invited him for a guest appearance in an All-Star Band for "Jazz at the Philharmonic" - concert series one. This is also the bassist Curley Russell and drummer Buddy Rich is one of the party.

The next year brings but then the preliminary site-off in the New York jazz scene, and thus its live career to a halt after Monk will stop with his drug-addicted friend Bud Powell by the police in her car and discovered drugs be. As Monk, however, refuses to testify against him is so that Powell's presence permits in New York clubs, where alcohol is served - the so-called "cabaret card" - withdrawn. He comes for sixty days in jail, but worse is the length of the imposed curfew. Monk six years, is now joined by the club scene in 1957 he gained through his painstaking help of many friends again Cabaret Card.

follow in this time of Monk's absence, therefore, only a few recordings for labels such as Prestige or Riverside. After leaving Blue Note in 1952, Monk returns now to other things. For two years he now working for prestige, it is only twice as a sideman for use. Although the owner of the label, Bob Weinstock, always trying to keep costs as low as possible and play Thelonious thus sometimes on a ziemlch detuned wing must, give him his records and stay afloat in the minds of people.

But Monk in this period, in which he lives somewhat reclusive, and finally the time to think about your own musical ideas, playing hours piano sleep, extensively, but also for his son TJ . take care

When in 1955 dann der Saxophonist und Leitfigur des Bebop Charlie Parker verstirbt endet damit eine ganze Ära. Mit dieser Wende in der Musik verändert sich damit auch das Publikum, sucht sich einen neuen Star, eine neue Galionsfigur. Miles Davis gibt der Jazzmusik Mitte der Fünfziger Jahre nach seiner überwundenen Drogenabhängigkeit durch den Modern Jazz ein neues Gesicht und Aufnahmen, wie die 1954 entstand Prestige Platte „Bag’s Groove“ des Vibraphonisten Milt Jackson zeigt, dass auch Monk zu dieser Entwicklung beiträgt, so z.B. als Sideman bei Davis.

Doch mit diesem Ereignis kommt auch wieder eine Wende für Monk. Er wechselt von Prestige zu Riverside, einem er erst gegründeten kleinen Jazzlabel. Es folgen as before at Riverside many of his own recordings for Monk.

who two years later the efforts, Thelonious in the New York jazz scene back at last bearing fruit. By medical opinion may finally be proved that he is not a junkie and he may then in years to accept his first club engagement. Here Monk meets the musician John Coltrane , at that time tenor saxophonist in the band of Miles Davis. Coltrane, at that time hard drug addicts will be fired only days later by Davis and Monk takes this opportunity to play with it immediately. Trane manages his drug addiction with a Cold Turkey overcome and buys into Monk.

In summer of 1957, then an eight-month long engagement follows the Five Spot club in New York, together with the John Coltrane on saxophone, Wilbur Ware on bass and Shadow Wilson drums. This website is for Thelonious a triumphant home game and a stunning success. The club is always full and the queue of admission seekers ranges always accessible to the next block. The club manager is so thrilled that he can search for Monk for his guest appearance at the club a new piano, which is then purchased for the club. Monks time with Coltrane brings him again more prestige.

addition to his Five Spot gig Monk developed during the year are other activities. So he goes for the Riverside label equal to five times the recording studio, always with changing musicians. But in the autumn already Monks altitude flight is stopped prematurely by an unpleasant incident. While driving to a gig with the saxophonist Charlie Rouse in Baltimore freeze for a Monk in Delaware, because he is thirsty. He ask the manager at the reception for a glass of water, reacts quite unfriendly, what Monk runs silently in the hall and down. The managing director, confused by the big black giant, calls the police then that he then dragged from the car and arrested him then. The New York police cut him off after that incident, the Cabaret Card again, this time for two years.

The incident has not only means that Thelonious back to 1959 show no license in New York clubs, gets the emotional distress of this fact make him racist, even long after that to create. Despite the loss Monk Cabaret card can no longer make the success of dispute. Each of his plates is praised and Monk recognized as one of the finest pianists in jazz.

Meanwhile, Monk is a real top star matured. His fees per week are moving normally around 1000 $ and for the first time not only America gets something the star of the jazz, but for the first time Europe. From 1961 to 1967 Monk goes with his quartet, consisting of Charlie Rouse on saxophone, John Ore on bass and Frank Dunlop on drums with almost annual regularity European tour.

The media conglomerate CBS, who has quite a few jazz stars such as trumpeter Miles Davis and the pianist Brubeck Davis at this time brought out great shows, to Monk then very interested. So it is that Monk Riverside soon leaves and takes the more lucrative offer from CBS. From the 31 October 1962 Monk is thus with continuous regularity to the recording studio and is growing in those six years to 1968 final at a world star. Monk ends up in Februar des Jahres 1964 auf dem Titelbild des renommierten Time-Magazins und gibt dem Pianisten aus New York einen erneuten Erfolgsschub und wird mit seinem Quartet gefeiert. Auch Monks Kleidung ändert sich, obwohl er schon seit seiner Jugendzeit sich sehr bewusst kleidet. Seit Ende der Fünfziger Jahre ist er jedoch nie ohne irgendeine Kopfbedeckung zu sehen. Anders als in Amerika, trifft bei den vielen Tourneen in der Welt die aus schwarzen Musikern bestehende Band nur selten auf rassistische Bemerkungen und wird so gut wie immer mit offenen Armen empfangen.

Im Herbst 1968 wird jedoch deutlich, dass nicht nur das Quartett selbst, sondern auch bei CBS nach sechs Jahren zusammener Arbeit die Luft langsam raus ist. Zwar will man Monk gerne weiterhin produzieren, but in the end, the two part ways after all. A year later, then gradually separate so the ways of the Quartet, which also switched between the occupation times and Monk has problems, his band to adequately occupied. So he comes in 1969/70 alone to Europe and Japan and played in that time, mostly just solo piano.

When he returned in April 1971 to New York, he then tries to solve its problems by occupation, that he gave his own son, TJ Monk - committed on the drums - now 21 years old. This new quartet gets his career but something upswing, but it can not beat Monks earlier successes by far. On 30 Then follows a June 1976 his last public appearances at Carnegie Hall.

runs in his last years, Monk back to New Jersey, where he spends most of his time in silence, is resting or just thinking. He plays almost over now no longer the piano, the music rushes to only him. On 17 February 1982 Thelonious Monk then suffers a stroke, which it 12 days later, ie on 17 February 1982 dies without having regained consciousness during this time.

Thelonious Monk was one of the pianists and musicians in the music, with their existence, not only the Jazz, but the music changed, with, what they managed on new music or changed from the old music. Here Monks remained timeless music today and his spirit lives on in music, in his records, in his guest appearances with other musicians and his numerous compositions - such as "Round Midnight", "Blue Monk" , "Ruby, My Dear "or" Well, You Need not - continue.




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